Hominescence
Michel Serres
Editions Le Pommier,
Paris, 2001 [1998]. Subsequent numbers in square
brackets refer to the page numbers of this publication. Serres’ book has three sections which
follow on from a long introduction. The
first of these is simply entitled ‘The Body’.
This is further sub-divided and the titles in bold given below
correspond to these sub-divisions, while those in italics introduce even
smaller step in his argument – typically they focus on a new figure, metaphor,
or example.
N.B. what follows is not a literal translation.
How our bodies
change
Breaking away from equilibrium: the
second prevailing wind
[54]
Perhaps one should recognise two different rhythms, the
first, regular, that of the electrocardiogram, and another, which appears to be
random, that of the electroencephalogram.
In our bodies, therefore, stable states exist alongside unpredictable
breaks and hesitations; does the body conduct itself, therefore, like the
drawer of my desk and the world beyond, in one a watch faithful to the regular passing
of time and in the room itself a barometer which moves capriciously with the
changing weather? Does the body live in
two times, one of which never ceases to split into two? - on
the one hand repetition, on the other invention; on the one hand circulation,
like the planets, on the other contingency?
[55]
Like our metabolism, evolution itself combines two
contradictory states: abrupt changes and constant stabilities, the clashing of
two times, heart and head, watch and barometer.
Certainly, our bodies must adapt to their environments, under pain of
death, but in so doing they also search for the means to create something new;
this is the measure of how life advances amongst species, they become
independent of their environment. In
both the short and long-term, our bodies, and species themselves, ceaselessly create
a dynamic balance between the horizontal and the inclined plane. This is why lived time follows the
regularities of clockwork, the rhythm of the orbiting planets, the growth of
negative entropy, but also a strange progress towards complexity.
[58]
The Balance Sheet
Briefly, in recent decades, whatever else may be said,
there is a new body. More than simply a
matter of history, this rupture with the past touches upon anthropology, the
evolution of human beings, and the global process I have called ‘hominisation’.
Certainly, I have not wanted to re-tell stories that have been
documented elsewhere, and neither have I provided the details of medical
practices, pharmaceutical developments, the politics of vaccination, the
prevention of disease and the maintenance of public health, the reduction in
work, the introduction of Health & Safety legislation, the expansion of the
rule of hygiene … because all of these
stories of public interest converge towards a result that is more striking than
their simple [59] addition: the anthropological transformation of the body. Certainly, such a change has benefited from
the discoveries and applications of researchers and institutions, and from the
many specialists who have written in detail about each change, but the result
surpasses these ordinary means of recording the passage of time, since it touches
upon evolution.
This new body reconstitutes, in effect, what was the
aesthetic, the moral and the political, the violent and the cognitive, and
especially the sense of being in the world.
This irruption with the past took place around the 1970s, amongst a silence
of existing philosophies, when in May 1968 students began chanting all over the
world their refusal to accept the existing order of things – and the
significance of their break is only now being recognised. Who understood then what passed during those
days of riot? All took as political an
event which simply intervened in the normal biology of development: the new
generation of bodies had reached adulthood.
Has there ever been a revolution before that was neither economic nor
political?
The First Turn to Hominescence
The Exodarwinism of artefacts and techniques
[65]
Millions of years were needed for birds to gain their
wings and their feathers; in several months humans constructed an
aircraft. This increase in the speed of
development defines well enough what is meant by ‘technique’. With the invention of the first tools we
moved out of evolution and into culture.
Through mutation and selection, species have developed various organs or
bodily functions which unexpectedly pre-adapted them to the exigencies of the
environment. Reptiles started to fly
when the development of lateral outgrowths could effectively become wings. But with the advent of technique, humans need
neither such patience nor such radical bodily change, and because of this they
also face much less risk of extinction.
Once the plane has been built, we can simply climb aboard; when making a
tool is sufficient, the body can remain the same as it was. This is what I have called the escape from
the laws of evolution: having decoupled his body from the necessity of
undergoing slow change, Homo sapiens
now controls his own rapid production.
As each adaptation is required, a sword, a shaped construction stone, or
a missile responds to the need far faster than any hazardous and interminable
evolutionary change could ever match.
The hare of technology has overtaken the tortoise of evolution.
I call this movement from away from the body exodarwinism, since it involves the use of artefacts which
externalise the means [66] of adaptation.
Thus, having left evolution behind from the moment when we developed the
first tools, we enter into this new exodarwinian
time. Its originality is such as to
affects the nature of the tools themselves.
They are thrust into an alternative evolution, since they undergo transformation
as substitutes for ourselves. Instead of sculpting our bodies over time,
time now fashions these objects through the mediation of our manual expertise
and large brains. Were these bodily changes
the last adaptations needed in order to make possible this process of
externalisation? – perhaps we will know one day. But in utilising the past tense this
description perhaps introduces a mistake; the processes involved may have taken
an immensely long time but they continue even today.
Getting Under Way
This stone serves as a hammer in place of a fist, more
fragile than the stone but serving as its model, and this lever exteriorises
the movements of the forearm … Thus
there has always been a sort of workshop, in all the senses that one can give
to this word, which evokes at one and the same time the devices themselves,
their matching to bodily functions, and their distancing of effect, their
externalisation, this loss of parts of our bodies in artefacts and their
subsequent adventures in the world at large.
Our vital functions have been dispersed outside of ourselves within
inert but intelligently designed things, and this objectification enables
better performance. The wheel spins
quickly and without tiring, substituting the sections of a sphere for the hips,
knees, and ankles brought into play during walking. Strangely trinitarian
in form and power, artefacts introduce the reign of inert matter: stone,
bronze, iron or fire, whatever one wishes to call spirit, fertile with respect
to purpose, flexible with respect to means, and productive in terms of result, partaking
in all the functions of living, feeding, seeing, [67]moving, carrying, action
at a distance and, later, reproduction.
Thus tools enter our time, and their own evolution reproduces infinitely
more quickly the circumstances which previously changed our own bodies, which
in response, change less.
I imagine that this exodarwinian culture arose at the same time as the first stone was shaped, and that it developed as part of these 'workshops'. It was then that our evolution became doubled. Humanity began progressively to make its separation from the other inhabitants of the world, a decisive event. And there also began what the philosophers call nature and what the naturalists call co-evolution. Since the manufacture of this first tool, we have never experienced the same world as other animals. We began to construct a house of our own which could replace the world.
So, the first shaped flint was also the first foundation stone of a third dwelling place, built between the two original houses of the body and the world. And this new construction began itself to evolve. We have never again moved away from it, as the walls have become larger and their potential to separate us from other living things has grown - things which can only live in a body hardened against a hostile world.
How Nature Enters
into Cultures
[134]
In the past or more recently, before the end of the
Neolithic or before I grow any older, between nature, which no-one can find any
more on any map, and a culture, assumed to consist of human ways, customs, and fine
arts, there once existed a separate habitat between the two, which the techniques
of town life have obliterated, but from where we all come. This is the once common experience of
agriculture and cultivation offered by farm life in all its variety, before the
animals themselves were separated and shut up inside stalls like those on a
battery farm: and like the youngsters at school, the not-yet adults at
university, and the dying in old people’s homes. Clear and distinct, the essence of this
habitat was a horror of blending.
Nature-culture, labouring and grazing, I do not know how to name it, you
can make your own choice since the name matters little, except that do not call
the pattern of this experience sub-cultural, under the vain pretext that it can
be ignored.
For the idea of there once having been a common habitat
there is a proper name: domestication, which signifies, especially, that men
[135]share with animals the same environmental niche. But don’t start by
asking which animals were enslaved first; ask instead which space which species
shared for their haunts. As certain
insects support others by feeding them, so that they can subsequently borrow
their energy, and even their vital functions, so parasitism accompanies a large
part of life’s actions; the essential problem of domestication turns around the
nature of the house, the habitat, not the man, nor his actions. What happens in this hotel? - in what aspect of farm life are there equivalent relationships? Because it is in this mixed society of
animals and humans that characteristic and perceptible changes must emerge,
where a certain warm understanding begins, common, reciprocal, and, above all,
true, where the strategies of the hunt and of camouflage are weakened, along
with the readiness to warn and frighten off predators.